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Writing: How to Be Interesting

"Be interesting."

It's good advice, but it's nothing new. You've probably known from the beginning that being able to interest readers is a crucial part of growing as a writer.

But how are you supposed to do it exactly?

How can you "be interesting?"


Far too much of what we write about attention and interest is abstract. We talk about differentiation, value, and triggers - all useful concepts, but you can't point to them. You can't hold out your hand and say, "Give me some differentiation." As a result, it's hard to wrap your mind around what those things actually mean.

Pay attention to the things that command attention. Here are some techniques that work. It's far from all of them, but it should be enough to get you started.

Be wrong: The world is full of people trying to do the right things. It's become so common that many of us are bored by it. We long for someone that is willing to do the wrong thing, say the wrong thing, be the wrong thing. If you have the courage to be that person, you'll find lots of people paying attention to you.

Be right: You can also gain attention by being right, but only if you're more right than everyone else. Run a mile faster than anyone else, explain your topic more clearly, and be funnier than everyone else. Embody perfection, and people will take notice.

Communicate what others can't: As writers, we take ideas from our heads and put them on the page. Sometimes we forget how difficult that is for some people and how valuable that makes us. Lots of people would give anything to be able to say what they mean. But they can't. So, they turn to songs, books, and art that communicate for them. Be a producer of those things, and you'll never lose their attention.


Do something: Everybody is trying to say something important, but very few are trying to do something important. If you want attention, dare not to just give advice to others, but to live that advice yourself.

Surprise people: Take a surprising position, making outlandish analogy, or otherwise do the opposite of what you normally do. As long as it's unexpected, people will stop and pay attention.


Make people laugh:

Writers can be far too serious. We're so busy trying to teach that we forget to entertain. As a result, large portions of our readerships fall asleep. And what's the best way to wake people up? Humour. Public speakers have been using it for ages, and as long as it's appropriate for your audience, humour can wake your readers up and get them paying attention again.

Be startlingly honest: Every once in awhile, tell the truth. Be so honest that you're scared to click the "Post" button. Be so honest that no one knows what to say in the comments section. Be so honest that your lawyer tells you to stop. You'll feel better… and people will talk about you.

Tell a good story: This one has been drilled into us so many times. Yes, stories support your points, make solid openers, and teach people while entertaining them, but a good story can make you a legend.

Master the metaphor: Metaphors are the paths we create to lead our readers to our ideas. Create one strong enough, and it will become a highway of attention, leading readers to your piece.



Put your readers first: Yes, you're the writer. Yes, you're the one with talent. Yes, you're the one working your tail off. But it doesn't matter. The one and only thing of consequence is your reader. You can rail against this fact for as long as you like, but as long you do, you'll never be interesting.

Reference: Jonathan Morrow - "How to be Interesting"

Image Credits:

1. This is your brain on lithium

2. Kolby Schnelli

3. Leonie

4. Alcanor


  1. Derick saidMon, 17 Nov 2008 06:03:16 -0000 ( Link )

    Interesting. I take exception to “be wrong” and “put your readers first.” I think both of those are liabilities of writing well.

    Being wrong isn’t daring. It’s lazy. We seriously need to get this irrationality = courage association out of our culture. You know what actually takes courage? Being right when everyone wants to believe the lie.

    As for putting your readers first, I mean, if you’re well integrated in your motives there’s no reason for those to contradict. I agree in the sense that you can’t just write whatever is subjectively and immediately gratifying to you; serious writing is not occupational therapy or doodling. But while you should write something objectively interesting and useful, this needs to be on your own standards and for your own selfish motives or else you’re going to be incapable of thinking anything independent and useful. And this means not thinking about your readers as such. “Your readers” is whoever happens to be interested in what you consider, objectively, to be important to you and your values. In that sense, as an abstraction, yes, think about them. But pandering is arsenic to creativity.

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  2. Derick saidMon, 17 Nov 2008 06:04:00 -0000 ( Link )

    (When I say “for those to contradict” I mean a contradiction between your own priorities and that of your readers.)

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